Hera Pheri 3 Is Back on Track: Akshay Kumar Denies Rift, Confirms Legal Matter Was Real and Resolved
Akshay Kumar confirms that the Hera Pheri 3 controversy with Paresh Rawal was never a publicity stunt. The legal dispute is resolved and the original trio is reunited.

Akshay Kumar has finally put to rest the months-long controversy surrounding the third installment of Hera Pheri. He insists that the reported fallout with co-star Paresh Rawal was not a publicity stunt. Addressing fans and media, he made it clear that the dispute went to court and yes, “things went legal,” but now “everything is resolved,” signaling a full reunion with Paresh Rawal and Suniel Shetty for the film.
The trouble began when Paresh Rawal abruptly exited Hera Pheri 3 in May 2025. Though he publicly stated there were no creative differences with director Priyadarshan, sources reported that clarity around the final script, payment schedules, and formal agreements was missing from the production side. This led to Rawal walking away, prompting Akshay Kumar’s production house to file a legal notice seeking ₹25 crore in damages for alleged breach of contract and unprofessional conduct.
Following the filing, more headlines emerged about Akshay suing Rawal and Rawal returning a portion of his advance payment—₹11 lakh with interest. Speculation ran rife about discord between the actors, the producers, and even sighted long-standing friendship between Rawal and Priyadarshan. Some industry insiders hinted that media storms might have been orchestrated for extra attention.
Akshay Kumar finally addressed the issue on The Right Angle podcast. He firmly denied that it was a publicity stunt, pointing out that legal action makes such an idea implausible. He said, “Things went legal, so when legal things are involved, we cannot call it a publicity stunt — it is a real thing.” He clarified that despite the ups and downs, the matter has been resolved, the film is back on track, and the original trio of Akshay, Paresh, and Suniel is intact.
Paresh Rawal, on his part, confirmed on a popular podcast that the exit was never meant to signal discord. He explained that because the original Hera Pheri characters are so beloved by audiences, the team felt a responsibility to fine-tune everything before proceeding. He emphasized that no hard feelings remained and that creative alignment was restored. In fact, he expressed gratitude toward Akshay, Priyadarshan, and producer Sajid Nadiadwala for working through the issue collaboratively.
Suniel Shetty added a lighter note to the whole saga, joking in an interview that he heard the team did some “fine‑tuning,” but refrained from discussing the film until its release. His restrained comment signaled relief that the uncertainties are behind them, and acknowledged that the trio remains committed to making the next film a family entertainer.
Industry analysts now see this incident as a case of effective crisis management in Bollywood. The public back-and-forth kept Hera Pheri 3 in the headlines for months without actual production stopping. While some questioned whether the drama was a calculated publicity build-up, Akshay and Paresh both denied any intentional PR play. Instead, the resolution is being seen as a testament to mutual respect and legacy preservation for one of Indian cinema’s most beloved comedy franchises.
The fact that this legal dispute was Akshay Kumar’s first high-profile lawsuit against another actor adds gravity. His production company, Cape of Good Films, issued formal legal notices—a move rarely seen among close friends and longtime collaborators, making the resolution even more significant. That Akshay publicly downplayed it as a “real thing” yet said “now everything is fixed” speaks to both transparency and closure.
As of late June 2025, Paresh Rawal officially returned to Hera Pheri 3, reprising his iconic role as Baburao Ganpatrao Apte. Fans celebrated the news, relieved to know the franchise would feature the original chemistry that made the first two films legendary. The filmmaker Priyadarshan confirmed that the actor reached out, apologized, and that they all moved forward after aligning schedules and finalizing the long-form agreement.
This restoration of the original ensemble, led by Akshay’s confirmation that everything is resolved, offers renewed excitement for what many hope will be a worthy continuation of the comedy classic. With the original cast reunited and legal matters settled, Hera Pheri 3 appears poised to reclaim its place in Bollywood’s comedy pantheon.
Even amid speculation of props such as a ₹25 crore lawsuit and formal exit, the story concluded with unity and resolution. Paresh returned the advance amount as a gesture of goodwill. Akshay acknowledged the mutual desire to protect the legacy of Hera Pheri. And within weeks, the narrative shifted from scandal to reunion, with both actors reaffirming their commitment.
In Mumbai’s close-knit film circles, the swift resolution and candid admissions by both stars were seen as a sign that personal respect often triumphs over professional disagreement. The end result being clearer alignment, and an undiminished fan base eager for the next chapter.
Despite the media frenzy, neither actor indulged in sensationalism. Akshay’s statements remained measured—he acknowledged conflict without casting blame, and welcomed Paresh back with a tone of hopeful collaboration. Paresh, in turn, emphasized that the initial exit was a step taken to protect emotional integrity rather than to antagonize.
With the trio reunited and director Priyadarshan back in the fold, the saga around Hera Pheri 3 has had its dramatic arc. Yet now it brings audiences closure and anticipation rather than confusion. One of Bollywood’s most beloved comedic stories, after legal scrubbing and reputational fine-tuning, is officially back in motion.
The legacy of Baburao Ganpatrao Apte returns intact, the trio’s bond reaffirmed, and fans can finally look forward to the promised nostalgia and laughter. In the end, what began as a public conflict evolved into a message that relationships, contracts, and creative expectations can all be managed with respect and resolution—without overshadowing the joy the film aims to deliver.
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